Table of Contents

21.2 (2001)

22.2 (2002)

ISSN 1943-3840

E. C. Riley, 1923–2001

Bulletin of the CERVANTES SOCIETY OF AMERICA

THE CERVANTES SOCIETY OF AMERICA

President
EDWARD H. FRIEDMAN

Vice President
JAMES A. PARR

Secretary-Treasurer
THERESA SEARS

Cervantes, official organ of the Cervantes Society of America, publishes scholarly articles in English and Spanish on Cervantes' life and works, reviews and notes of interest to cervantistas. Twice yearly. Subscription to Cervantes is a part of membership in the Cervantes Society of America, which also publishes a Newsletter. $20.00 a year for individuals, $40.00 for institutions, $30.00 for couples, and $10.00 for students. Membership is open to all persons interested in Cervantes. For membership and subscription, send check in US dollars to THERESA SEARS, Department of Romance Languages, University of North Carolina at Greensboro, Greensboro, NC 27402-6170 (tasears@uncg.edu). Manuscripts should be sent in duplicate, together with a self-addressed envelope and return postage, to DANIEL EISENBERG, Editor, Cervantes, Excelsior College, 7 Columbia Circle, Albany, NY 12203-5157 (daniel.eisenberg@bigfoot.com). The SOCIETY requires anonymous submissions, therefore the author's name should not appear on the manuscript; instead, a cover sheet with the author's name, address, and the title of the article should accompany the article. References to the author's own work should be couched in the third person. Books for review should be sent to WILLIAM H. CLAMURRO, Division of Foreign Languages, Emporia State University, Emporia, Kansas 66801-5087 (clamurrw@emporia.edu).

Copyright © 2002 by the Cervantes Society of America.

VOLUME XXII, NUMBER 1 TABLE OF CONTENTS

	E. C. Riley, 1923-2001
		JUDY RILEY, ANTHONY CLOSE, JUAN BAUTISTA AVALLE-ARCE, HELENA PERCAS DE PONSETI, KARL-LUDWIG SELIG	5-15
	Publications of E. C. Riley
		JEREMY ROBBINS and DANIEL EISENBERG	17-26

ARTICLES

	La singularidad de la fama de Don Quijote
		EDWARD C. RILEY		27-41
			Don Quixote's fame is a fundamental theme of the novel. Rather than the fame he desires as a traditional type of hero, he achieves, ironically, fame as a character in an incredibly successful novel. He becomes the prototype of a new, modern, democratic hero, thanks to Cervantes' implanting in him —and in Sancho— a recognizable vitality that keeps on living in new and different artistic forms.

	A Portrait of Don Quijote from the Palette of Chaos Theory
		ROBERT FLORES		43-70
			Un libro, el objeto físico —un ejemplar de la edición príncipe de la primera parte de Don Quijote, por ejemplo— puede ser tocado, visto, dibujado, fotografiado, tallado, pero ¿cómo representar el complejísimo proceso de creación artística del que surgió, y el resultado inefable de ese proceso? Me aprovecho de la nueva ciencia del caos para sugerir una respuesta a estas preguntas, dándole textura e identidad física a Don Quijote, para así poder ver el espíritu perenne de la obra de Cervantes.

	La disputa del baciyelmo y “El retablo de las maravillas”: Sobre el carácter dramático de los capítulos 44 y 45 de la primera parte de Don Quijote
		VERÓNICA AZCUE CASTILLÓN		71-81
			Features of the dispute over the identity of the barber's basin characterize it as a both static and action-oriented type of entremés. Specific affinities link it with “El retablo de las maravillas.” Structural similarities arise from a common pattern of dramatic development. Three motifs are central to both works: the relationship between drama and life, the perspectivism of human experience, and the importance of class distinctions.

	Las bodas de Camacho y la sociedad del espectáculo
		FRANCISCO VIVAR		83-109
			Camacho's identity is based on display of wealth, by means of which he attempts to persuade and control the onlookers. However, as seen in the differing reactions of Don Quijote and Sancho, his technique is not successful with everyone.

	Los relatos orales del Persiles
		ISABEL LOZANO-RENIEBLAS		111-126
			In the Greek novel, oral first-person narratives delay the main plot. Cervantes uses them for different aesthetic purposes. They allow the introduction of an appraisal of the work, break up the main plot, and introduce themes alien to the literary tradition. Finally, first-person narratives also add color to the novel, explore different points of view, and indivdualize the characters. In sum, they expand the borders of fiction.

REVIEW ARTICLE

	Un misterio dilucidado: Pasamonte fue Avellaneda
		HELENA PERCAS DE PONSETI	127-154

	Edward C. Riley. La rara invención. Estudios sobre Cervantes y su posteridad literaria.
		PATRICIA CAMPANA	155-157

	Jean Canavaggio. Cervantes entre vida y creación.
		JESÚS G. MAESTRO	158-165

	Arsenio Lope Huerta. Los Cervantes de Alcalá.
		DANIEL EISENBERG	165-166

	Hans-Jörg Neuschäfer. La ética del Quijote: Función de las novelas intercaladas.
		ERIC J. KARTCHNER	166-169

	Maria Caterina Ruta. Il Chisciotte e i suoi dettagli.
		DOMINICK FINELLO	169-172

	Diana de Armas Wilson. Cervantes, the Novel, and the New World.
		GEORGE MARISCAL	172-175

	Georgina Dopico Black. Perfect Wives, Other Women. Adultery & Inquisition in Early Modern Spain.
		SUSAN PAUN DE GARCÍA	176-179

	Charles D. Presberg. Adventures in Paradox: Don Quixote and the Western Tradition.
		MICHAEL SCHAM	180-183

	David R.Castillo. (A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque.
		WILLIAM H. CLAMURRO	184-188

Forum

Reply by James Iffland

189-192

21.2 (2001)		22.2 (2002)
Fred Jehle jehle@ipfw.edu	Publications of the CSA	H–Cervantes
URL: http://www.h-net.org/~cervantes/csa/bcsas02.htm