Table of
Contents
2.1 (1982)| Table of
Contents |
info |
2.1 (1982) |
ISSN 0277-6995 |
| VOLUME I, NUMBERS 1 AND 2 | FALL, 1981 |
Bulletin of the CERVANTES SOCIETY OF
AMERICA
THE CERVANTES SOCIETY OF
AMERICA
President
JUAN BAUTISTA
AVALLE-ARCE (1982)
Vice President
BRUCE W. WARDROPPER (1982)
Secretary-Treasurer
PATRICIA KENWORTHY (1982)
| Executive Council | |||
| JOHN J. ALLEN | JAMES A. PARR | ||
| RUTH EL SAFFAR | HELENA PERCAS DE PONSETI | ||
| EDWARD FRIEDMAN | ELIAS L. RIVERS | ||
| LEO J. HOAR, JR. | JOSEPH H. SILVERMAN | ||
| FRANCISCO MÁRQUEZ VILLANUEVA | ALAN S. TRUEBLOOD | ||
Cervantes: Bulletin of the Cervantes Society of America
Editor: JOHN J. ALLEN
Assistant to the Editor: THOMAS A.
LATHROP
Editor's Advisory Council |
||
| JUAN BAUTISTA AVALLE-ARCE | EDWARD C. RILEY | |
| JEAN CANAVAGGIO | ALBERTO SÁNCHEZ | |
Associate Editors |
|||
| DANA B. DRAKE | FRANCISCO MÁRQUEZ VILLANUEVA | ||
| PETER DUNN | LOWRY NELSON, JR. | ||
| RUTH EL SAFFAR | HELENA PERCAS DE PONSETI | ||
| ROBERT M. FLORES | GEOFFREY L. STAGG | ||
| CARROLL B. JOHNSON | BRUCE W. WARDROPPER | ||
Cervantes, official organ of the Cervantes Society
of America, publishes scholarly articles in English and Spanish on Cervantes'
life and works, reviews, and notes of interest to cervantistas. Twice
yearly. Subscription to Cervantes is a part of membership in the Cervantes
Society of America, which also publishes a Newsletter. $15.00 a year
for individuals and institutions, $25.00 a year for husband and wife, and
$8.00 for students. Membership is open to all persons interested in Cervantes.
For membership and subscription, send check in dollars to Professor
PATRICIA KENWORTHY, Secretary-Treasurer, The
Cervantes Society of America, Department of Hispanic Studies, Vassar College,
Poughkeepsie, New York 12061. Manuscripts and books for review should be
sent to Professor JOHN J. ALLEN, Editor,
Cervantes, ASB 170, University of Florida, Gainesville, Florida
32611.
Copyright © 1981 by THE CERVANTES
SOCIETY OF AMERICA, INC.
|
| VOLUME I, NUMBERS 1 AND 2 TABLE OF CONTENTS |
From the Editor  |
||
| JOHN J. ALLEN | 5 | |
| A Brief History of the CERVANTES SOCIETY OF AMERICA | ||
| PATRICIA KENWORTHY | 7 | |
ARTICLES
| La gitanilla | ||||
| JUAN BAUTISTA AVALLE-ARCE | 9 |
|||
| La gitanilla is the first of the twelve Novelas
ejemplares. This article fathoms some of the reasons that might have
decided Cervantes to give it the place of honor in such an extraordinary
collection of short stories. |
||||
| Ambiguity in El viejo celoso | ||||
| BRUCE W. WARDROPPER | 19 |
|||
| En los entremeses Cervantes pone en duda las ideas recibidas sin
sustituirlas. Consigue este efecto mediante ambigüedades verbales que
con el ritmo rápido de la farsa pueden pasar inadvertidas. Si se tiene
presente esta técnica, una lectura cuidadosa de El viejo celoso
revela que hacia el fin de la obra el marido se da cuenta de que le ha puesto
los cuernos su joven esposa. Al solidarse contra la intrusión de la
sociedad, los dos casados reconocen la necesidad de la hipocresía,
el valor social preeminente. Así se pervierte el final clásico
de la comedia: reintegración de los errantes con la sociedad, pero
no vivirán felices. Lo mismo que otros entremeses cervantinos, El
viejo celoso plantea la cuestión de la indisolubilidad del matrimonio
cristiano. |
||||
| La dimensión autobiográfica del Viaje del Parnaso | ||||
| JEAN CANAVAGGIO | 29 |
|||
| The most recent studies of the Viaje del Parnaso (E. L.
Rivers, V. Gaos) emphasize that it is “the most autobiographical work”
of all of Cervantes' production. This essay attempts to show the function
of the autobiographical elements in the work. Although our interest in the
autobiographical dimension of the Viaje is in part a product of a
mode of reading, characteristic of our time, which tends to attribute a dominant
function to one particular feature of the work, this aspect cannot be separated
from the author-narrator relationship. Cervantes has altered the code of
emission of the poem, that of the burlesque trip, by means of a captious
use of its conventions, providing for the encounter between this code and
our code of reception for the first person narrative. |
||||
| El Ur-Quijote, nueva hipótesis | ||||
| LUIS ANDRÉS MURILLO | 43 |
|||
| The new hypothesis is that the tale told by Ruy Pérez about
himself and Zoraida in I, 39-41 is the most primitive version (Ur)
of the ‘ore’ of Part I: the idealized picture of Ruy's relationship
to Zoraida is the Ur relationship of Quijote-Dulcinea. In the tale
Ruy is the aging captive stirred to action by the figure of the idealized
Moorish girl. In the early phase of his evolution as a novelist, Cervantes
traced, in the form of a tale (cuento), the improbable nexus between
an exotic female and an impoverished hidalgo whose love for her is chaste.
He subsequently subverted the relationship into the comical one
(Quijote-Dulcinea-Aldonza Lorenso), and the inclusion of the tale in the
scenes in the inn was his manner of confirming the connection. |
||||
| Authorial Strings: A Recurrent Metaphor in Don Quijote | ||||
| HELENA PERCAS DE PONSETI | 51 |
|||
| Mediante la imagen recurrente en ambas partes del Quijote
de los cordeles autoriales, invocada a través de varios
objectos-metáfora —riendas, cuerdas, hilos, líneas, cables,
látigos, redes— Cervantes hace inequívocas distinciones
entre su propio arte creador de caracteres y la simple manipulación
artesana de personajes, del historiador Cide Hamete Benengeli, del tiritero
Maese Pedro y del autor apócrifo Avellaneda. |
||||
| Cide Hamete Benengeli vs. Miguel de Cervantes: The Metafictional Dialectic of Don Quijote | ||||
| HOWARD MANCING | 63 |
|||
| La estructura narrativa del Quijote se desarrolla en tres
niveles: el manuscrito árabe de Cide Hamete Benengeli, la traducción
al español del morisco, y la edición de Miguel de Cervantes.
En la primera parte no hay más que algunas reservas con respecto a
esta estructura. Pero en la segunda parte Cide Hamete parece no notar los
cambios que caracterizan a sus personajes y, al mismo tiempo, interrumpe
con más frecuencia la narración para ofrecer sus comentarios,
que muchas veces son exageraciones o mentiras. El editor, Cervantes mismo,
suele poner en duda y hasta burlarse del historiador de una manera bastante
sutil. El efecto de esta dialéctica entre autor y editor es establecer
a Cide Hamete como el personaje más consistentemente cómico
de la segunda parte para mantener el humorismo de una obra cuyo protagonista
se hace cada vez más serio y patético. |
||||
| On Beyond Conflict | |||
| RUTH EL SAFFAR | 83 | ||
| Open Letter to Ruth El Saffar | |||
| CESÁREO BANDERA | 95 | ||
| Response to Cesáreo Bandera | |||
| RUTH EL SAFFAR | 108 | ||
| Una vez más sobre el Bosio de la “Aprobación” de Valdivielso para Don Quijote II | |||
| (JOSEPH R. JONES ) | 111 | ||
| News | 114 | ||
| Don Martín de Riquer: The First Honorary Member of the Cervantes Society of America. | 115 | ||
| Vicente Gaos, ed. Viaje del Parnaso. | |||
| (ELIAS L. RIVERS) | 116 | ||
| Dana B. Drake. Cervantes' “Novelas ejemplares.” | |||
| (JOSÉ RODRÍGUEZ-LUIS) | 118 | ||
| Cervantine Bibliography | |||
| DANA B. DRAKE | 120 | ||
| Treasurer's Report | |||
| PATRICIA KENWORTHY | 124 | ||
| The Constitution of the CERVANTES SOCIETY OF AMERICA | 125 | ||
| MEMBERSHIP LIST | 131 |
| info |
2.1
(1982) |
|
| Fred Jehle jehle@ipfw.edu | Publications of the CSA | H–Cervantes |
| URL: http://users.ipfw.edu/jehle/cervante/csa/bcsaf81.htm | ||