Call for abstracts: Gendering the creative: creative work, creative industries, creative identities
A session at the Gender, Work and Organization 8th Biennial International Interdisciplinary conference, 24th – 26th June, 2014, Keele Universit
Call for papers for 'Gendering the creative: creative work, creative industries, creative identities' a stream at the Gender, Work and Organization 8th Biennial International Interdisciplinary conference, 24th – 26th June, 2014
Keele University, UK.
The construction of gender takes varying forms in relation to the creative. In this stream call, we are approaching both as forms of identity intertwined in specific settings and historical contexts. The ‘creative’ is typically constructed so that women do not become the creative stars or geniuses, do not have equal access to creative work, are not equally rewarded, and are subject to various forms of occupational segregation that reinforce these inequalities in both recognition and reward. Processes of gendering the creative are inherent in theories and representations of creativity itself and its relation to the masculine and feminine, and in the industrial, occupation and creative community practices whereby gender influences who has access to which work, and to recognition as creatively successful. Intersecting with gender are constructions of class, race, age and sexuality that complicate and extend privilege and inequality.
Abstracts of approximately 500 words (ONE page, Word document NOT PDF, single spaced, excluding references, no header, footers or track changes) are invited by 1st November 2013 with decisions on acceptance to be made by stream leaders within one month. All abstracts will be peer reviewed. New and young scholars with 'work in progress' papers are welcomed. Papers can be theoretical or theoretically informed empirical work. In the case of co-authored papers, ONE person should be identified as the corresponding author. Due to restrictions of space on the conference schedule, multiple submissions by the same author will not be timetabled. Abstracts should be emailed to: Kate Sang email@example.com
Abstracts should include FULL contact details, including your name, department, institutional affiliation, mailing address, and e-mail address. State the title of the stream to which you are submitting your abstract. Note that no funding, fee waiver, travel or other bursaries are offered for attendance at GWO2014.
Deborah Jones, Victoria University of Wellington, NEW ZEALAND
Kate Sang, Heriot Watt University, SCOTLAND
Naomi Stead, The University of Queensland, AUSTRALIA
Dimi Stoyanova, University of Warwick, ENGLAND
Rebecca Finkel, Queen Margaret University, SCOTLAND
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