2005
Conference Program
Short Version
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Note: This version of the program contains only panel titles and feature events. For a complete listing of all presenters and panel titles, use the entire conference program. Although we will make every effort to keep to what is printed here, some changes might occur. All errors of a grammatical nature will be changed before the program is sent to the printer. If any changes are made those involved with changes will be so notified. Please double-check your printed program at the conference. |
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Wednesday, February 9, 2005 |
100 Fiesta Ballroom 1 | American Indians Today I: Aural, Oral, Visual and the Spiritual
101 Fiesta Ballroom 2 | Creative Writing I: Prose
102 Fiesta Ballroom 3 | Film and Film Adaptations I: Science, Technology, and Gender: Changing Public Perceptions through Film
103 Fiesta Ballroom 4 | Grateful Dead I
104 Enchantment A | Media and Globalization I: Global Transmissions: Tourism, Disease, The Internet
105 Enchantment B | Native American I: Honoring Generations: Developing the Next Generation of Native Librarians
106 Enchantment E | Route 66 and Other American Highways I
107 Enchantment F | Science Fiction and Fantasy I: Hybridity in Buffy: the Vampire Slayer and Angel
108 Enchantment C | The Small Town in Literature and Film I
109 Enchantment D | Music I: Folk Music
110 Fiesta Ballroom 1 | American Indians Today II: More than Basketry-Identity and Tradition
111 Fiesta Ballroom 2 | Creative Writing II: Poetry
112 Fiesta Ballroom 3 | Film and Film Adaptation II: Film's Failed Feminism
113 Fiesta Ballroom 4 | Grateful Dead II: Women and The Grateful Dead
114 Enchantment A | Native American II: Still Battling Pratt After All These Years: Multiculturalism and Methodology in the Native Ed Classroom
115 Enchantment B | Preservation/Public History & History (General) I
116 Enchantment E | Science Fiction and Fantasy II: Racial Anxiety and Anti-Miscegenation in Buffy the Vampire Slayer
117 Enchantment F | Southwest Ranching I: Ranching Culture, Literature, and Rhetoric
118 Enchantment C | Southwestern Literature I
119 Enchantment D | Music II: Protest Music
120 Sendero I | Strange Fruit (2002)
121 Sendero II | Guess Who's Coming to Dinner? (1967)
Thursday, February 10, 2005 |
200 Fiesta Ballroom 1 | American Indians Today III: The Making/Faking of Indian Identity
201 Fiesta Ballroom 2 | Biography, Autobiography, Memoir, and Personal Narrative I
202 Fiesta Ballroom 3 | Chicana/Chicano Literature, Film, and Culture I: On the Tracks of American Empire: Cultural Production and Manifest Destiny
203 Fiesta Ballroom 4 | Children and Young Adult Literature and Culture I: The Quest for Meaning
204 Enchantment A | Classical Myths in Recent Literature and Film I: Racism, Imperialism, and Homophobia: Classical Mythology and Power Politics in 20th Century Novels
205 Enchantment B | Collecting, Collectibles, Collectors, Collections I
206 Enchantment E | Creative Writing III: Fiction
207 Enchantment F | Film and Film Adaptations XIV: Women Making Movies: Screening of Original Film
208 Enchantment C | Film and Film Adaptations III: Film Theory and Its Malcontents: David Lynch in the Conservative Classroom
209 Enchantment D | Food and Culture I: Cookbooks
210 Sendero I | Grateful Dead III
211 Sendero II | Horror I: International Horror Film
212 Sendero III | Libraries, Archives, and Museums and Popular Culture I: Time and Recollection
213 Sage Room 1 | Marvel Comics and Popular Culture I
214 Sierra Room 1 | Native American III: The Literary Legacy of James Welch
215 Grand Pavilion I | Oklahoma I
216 Grand Pavilion II | Politics I: Film and Politics
217 Grand Pavilion IV | Religion I: Religion and the 2004 Election
218 Grand Pavilion V | Science Fiction and Fantasy III: Constructions
219 Grand Pavilion VI | Television I: Situation Comedies
220 Fiesta Ballroom 1 | American Indians Today IV: Not the Same Old Song and Dance
221 Fiesta Ballroom 2 | Biography, Autobiography, Memoir, and Personal Narrative II
222 Fiesta Ballroom 3 | Captivity Narratives I: National & Slavery Spaces as Captivities
223 Fiesta Ballroom 4 | Chicana/Chicano Literature, Film, & Culture II: Anzaldúa, Moraga, Valdez-Politics & Art
224 Enchantment A | Children and Young Adult Literature & Culture II: "Hidden Messages" in Children's Literature?
225 Enchantment B | Collecting, Collectibles, Collectors, Collections II
226 Enchantment C | Creative Writing IV: Poetry
227 Enchantment E | Special Event: Emily Toth "When Academics Get Angry: Nasty Letters to Ms. Mentor"
228 Enchantment F | Film and Film Adaptation XV: Women Making Movies: Screening of Original Films
229 Enchantment D | Film and Film Adaptations IV: Mothers, Monsters, and Decaying Cities: Violence in Film
230 Sendero I | Film & History I: American Films/American Myths
231 Sendero II | Food and Culture II: The Physical/Spiritual and Rites/Ritual
232 Sendero III | Grateful Dead IV: Improvising a Career: Lessons from the Grateful Dead
233 Grand Pavilion VI | Horror II: Critical Positions on Horror: Academic and Fan Discourse
234 Sage Room 1 | Libraries, Archives, Museums, & Popular Culture II: Fantastic Past and Present
235 Grand Pavilion I | Native American IV: The Nature of Boundaries: Hidden Principles of Coherence within the Pueblo Culture
236 Grand Pavilion II | Science Fiction and Fantasy IV: Literatures
237 Grand Pavilion IV | Technical Communication I: Information Services & Information Design
238 Grand Pavilion V | Television II: Politics, News, & the Media
239 Sierra Room 1 | World War II/Korea/Vietnam Wars II: Historical Consciousness and Collective Memory
240 Fiesta Ballroom 1 | American Indians Today V: Who was that Indian with that Masked Man, Anyway?
241 Fiesta Ballroom 2 | Captivity Narratives II: White Women Captives: More & Less Famous American Variants
242 Fiesta Ballroom 3 | Children and Young Adult Literature & Culture II: "Girl Culture" Role Models with more Spice than Sugar
243 Fiesta Ballroom 4 | Classical Myths in Recent Literature & Film II: Classical Motifs on the Small Screen
244 Enchantment A | Collecting, Collectibles, Collectors, Collections III
245 Enchantment B | Editors Panel - Special Event: Editors Panel: "What Do Editors Really Want? Or, How to Copy That"
246 Enchantment E | Film and Film Adaptation V: Made and Remade
247 Enchantment F | Film & History II: Images of Europe
248 Enchantment C | Food and Culture III: The Cultural Significance of Food Icons
249 Enchantment D | Grateful Dead V: Screening of "Dreadheads" Documentary
250 Sage Room 1 | Horror III: Men, Women, and Werewolves: Horror and Gender
251 Sendero I | Literature, Eco-Criticism, and the Environment I
252 Sendero II | Native American V: New and Emerging Native Writers
253 Sendero III | Popular Music I
254 Grand Pavilion I | Science Fiction and Fantasy XIX: Claiming a Voice in Difference: Octavia Butler's Diverse Worlds Panel
255 Grand Pavilion II | Science Fiction and Fantasy V: Between Truth and Nihilism
256 Grand Pavilion VI | Silent Film I
257 Grand Pavilion V | Technical Communication II: Redesigning Research Methods & Pedagogy
258 Grand Pavilion IV | Texas Culture I: School, Home and Literature: Texas-centric Eclecticism
259 Sierra Room 1 | World War II/Korea/Vietnam Wars II: Melodies, Movies and Memories
260 Fiesta Ballroom 1 | Captivity Narratives III: Contemporary Captivities: Instances & Implications
261 Fiesta Ballroom 2 | Central and East European Popular CultureI
262 Fiesta Ballroom 3 | Collecting, Collectibles, Collectors, Collections IV
263 Fiesta Ballroom 4 | Film and Film Adaptation VI: Dwain Esper's Manaic
264 Enchantment A | Film & History VI: Guess Who's Coming to Dinner (1967)
265 Enchantment B | Gender I
266 Enchantment E | Historical Novel I: From Scott to O'Brian
"Any fool can make history, but it takes a genius to write it." Oscar Wilde267 Enchantment F | Joseph Campbell and the Power of Myth I: Timeless Relevance: Myth in Contemporary Culture
268 Enchantment C | Literature, Eco-Criticism, and the Environment II
269 Enchantment D | Mystery/Detective Fiction I: Mysteries on the Margins
270 Sendero I | Native American VI: Reading Indians: Critical Perceptions and Analyses of the Narrative
271 Sendero II | Popular Music II
272 Sendero III | Science Fiction and Fantasy VI: Philosophy and Religion in Buffy: The Vampire Slayer
273 Grand Pavilion VI | Silent Film Presentation: Toll of the Sea and Dante's Inferno
274 Grand Pavilion V | Technical Communication III: Negotiating "Cross-Cultural" Divides
275 Grand Pavilion IV | Texas Culture II: Talkin', Whorin', Fightin': Three Texas Traditions
276 Grand Pavilion I | The Beat Generation and Counterculture I: Race, Gender, and the Other
277 Grand Pavilion II | Visual Arts in the West I: The West as "Soul and Inspiration"
278 Sage Room 1 | Women's Studies I: The Politics of Transition in Second and Third Wave Feminism: Has it Really Evolved?
279 Sierra Room 1 | World War II/Korea/Vietnam Wars III: Special Session
280 Fiesta Ballroom 1 | African-American Culture and Diversity Issues I: African American History and Literature
281 Fiesta Ballroom 2 | Central and East European Popular Culture II
282 Fiesta Ballroom 3 | Classical Myths in Recent Literature and Film III: Left Behind, Shoved Aside, and Pissed Off: Women on the Margins
283 Fiesta Ballroom 4 | Captivity Narratives IV: Cross-National Captivities
284 Enchantment A | Creative Writing Pedagogy I
285 Grand Pavilion VI | Silent Film Presentation: Toll of the Sea and Dante's Inferno
286 Enchantment D | Film and Film Adaptation VII: From a Different Perspective
287 Sendero I | Food and Culture IV: Gender and Sexuality
288 Enchantment B | Gender II
289 Enchantment E | Historical Novel II: Voices From the New World
290 Sendero II | International Experience: Mexico and Latin American Studies I: Culture, Acculturation and Academy
291 Enchantment F | Joseph Campbell and the Power of Myth II: Timeless Relevance: Myth as Transformational Tool
292 Enchantment C | Martial Arts (Extended Session)
West meets East: Spanish and Italian Fencing, and Taiji and American Culture
293 Grand Pavilion IV | Mystery/Detective Fiction Fiction II: Mystery as History and Representation
294 Grand Pavilion II | Native American VII: Cultural Survivance I: The Politics of Nationhood and Self-Determination
295 Sendero III | Religion III: Religion and Film
296 Grand Pavilion V | Science Fiction and Fantasy VII: Visions of the Past and the Future in the Works of Octavia Butler
297 Grand Pavilion I | The Beat Generation and Counter Culture II: Poetics, Aesthetics, and Influence
298 Sage Room | Visual Arts in the West II: Artists from the East and Their Visualizations of the West
299 Sierra Room | Women's Studies II: Women's Voices in Poetry, Prose, and Song
299A Grand Pavilion III | Film and Film Adaptation Reception
Friday, February 11, 2005 |
300 Fiesta Ballroom 1 | American Indians Today VI: The Mythical and the Spiritual
301 Fiesta Ballroom 2 | Captivity Narratives VII: Special Invited Panel: Double Keynote Address
302 Fiesta Ballroom 3 | Children and Young Adult Literature & Culture IV: Representations and Stereotypes in Children's Literature and Culture
303 Fiesta Ballroom 4 | Classical Myths in Recent Film & Literature IV: Mythic Impressions: Classical Myths in Modern Media
304 Enchantment A | Computer Culture I: Computer Games and Learning: Where Is the "EDU" in Edutainment?
305 Enchantment B | Creative Writing Pedagogy II
306 Enchantment C | Film and Film Adaptation VIII: Race, Gender, and Terrorism: Changing Public Perceptions Through Film
307 Enchantment D | Film & History III: Heroes, Intellectuals, and Isolatoes
308 Enchantment E | Food and Culture V: Cultural Identity
309 Enchantment F | Gender III
310 Sendero I | Grateful Dead VI
311 Sendero II | Horror IV: Typography, Topography, Technology
312 Sendero III | Joseph Campbell and the Power of Myth III: Timeless Relevance: Myth as Therapy
313 Grand Pavilion I | Literature, Eco-Criticism, and the Environment III: Constructing Nature in America
314 Grand Pavilion II | Mystery/Detective Fiction III: Mysteries: Tales Told in Classic and Hardboiled Styles
315 Grand Pavilion IV | Native American VIII: Cultural Survivance II: The Process of Recognition through Cultural and Political (Il)legitimate Means
316 Grand Pavilion V | Romance Fiction I: Selling Love In All The Right Places
317 Grand Pavilion VI | Science Fiction and Fantasy VIII: Comparative Fantasy
318 Sage Room 1 | The Beat Generation and Counterculture III: Narratives and Chronicles
319 Sierra Room 1 | Visual Arts in the West III: Late-Nineteenth Century Artistic Developments in Colorado
320 Fiesta Ballroom 1 | American Indians Today II: Sovereignty-Beyond the Rhetoric
321 Fiesta Ballroom 2 | Captivity Narratives VIII: Special Invited Panel: New Directions in Captivity Scholarship
322 Fiesta Ballroom 3 | Chicana/Chicano Literature, Film, and Culture III: Shame, Sexuality, and Refigurations of Rights: Criticism and Pedagogy
323 Fiesta Ballroom 4 | Children and Young Adult Literature & Culture V: A New Look at Some Favorite Classics
324 Enchantment A | Classical Myths in Recent Literature and Film V: Paradigm Shifts: Otherworlds and Underworlds, Katabasis and Cataclysm
325 Enchantment B | Collecting, Collectibles, Collectors, Collections V
326 Enchantment C | Computer Culture II: You Say Tomato, I Say You're a Fool: A Round-Table on the Language of Game Studies
327 Enchantment D | Creative Writing Pedagogy III: Memoir and Visual Media: Composition and the Creative Writing Classroom
328 Enchantment E | Film and Film Adaptation IX: Heroes and Heroism
329 Enchantment F | Film & History IV: WWW for The West Wing: TV for Fans and Scholars
330 Sierra Room 1 | Food and Culture in Greater Mexico I: Food Vendors and the Politics of the Public Kitchen
331 Sendero I | Grateful Dead VII: An American Band: The Grateful Dead, Patriotism, and Dissent
332 Sendero II | Horror V: Horror in the Literary Mainstream
333 Grand Pavilion I | International Experience: Mexican and Latin American Studies II: Culture, Literature and History
334 Sendero III | Joseph Campbell and the Power of Myth IV: The Hero Question I
335 Grand Pavilion II | Mystery/Detective Fiction IV: Expanding the Mystery Genre
336 Grand Pavilion IV | Native American IX: American Images and Indigenous Realities I: (Mis)Representations of Indigeneity in Popular Culture
337 Grand Pavilion VI | Science Fiction and Fantasy IX: "The Source of Our Power" - Models of Political Action in Buffy: The Vampire Slayer and Angel
338 Grand Pavilion V | Television III: Feminism on the Small Screen
339 Sage Room 1 | The Beat Generation and Counter Culture IV: Colonization, Culture, and Capitalism
340 Fiesta Ballroom 1 | American Indians Today VIII: Sovereign Expressions
341 Fiesta Ballroom 2 | Biography, Autobiography, Memoir, and Personal Narrative III
342 Fiesta Ballroom 3 | Captivity Narratives V: Visualizing, Reconsidering & Reclassifying the Captivity Genre
343 Fiesta Ballroom 4 | Children and Young Adult Literature & Culture VI: Issues in Children's Literature in Spanish - (Special Session in Spanish)
344 Enchantment A | Collecting, Collectibles, Collectors, Collections VI
345 Enchantment B | Creative Writing Pedagogy IV
346 Enchantment C | Film and Film Adaptation X: Culture and Tales
347 Enchantment D | Film & History V: American and Hispanic Perspectives
348 Sendero I | Grateful Dead VIII: Ten Years On: Where We've Been, Where We Are, Where We're Going
349 Grand Pavilion I | International Experience: Mexican and Latin American Studies III: (En español)
Literatura y supervivencia
350 Sendero III | Joseph Campbell and the Power of Myth V: The Hero Question II
351 Enchantment E | Libraries, Archives, and Museums and Popular Culture III: Community and Memory
352 Enchantment F | Medievalism and Popular Culture I: Legends and Medievalism
353 Grand Pavilion IV | Native American X: A Clear and Present Subjectivity: Indigeneity in/and the Arts
354 Sendero II | Native American XVI: Framing The Struggles: The Political Nature of Public Space/s and Indigenous Activism
355 Grand Pavilion II | Religion IV: Contructing Religious Identity
356 Grand Pavilion VI | Science Fiction and Fantasy X: Three Crazies and an Alien Baby
357 Grand Pavilion V | Television IV: Narratives of Drama
358 Sage Room 1 | The Beat Generation and Counter Culture V: Multi-Media
359 Sierra Room 1 | Women's Studies III: I Feel Pretty: Images of Women in Media
360 Fiesta Ballroom 1 | American Indians Today IX: Indians and the Performing Arts
361 Fiesta Ballroom 2 | Biography, Autobiography, Memoir, and Personal Narrative IV
362 Fiesta Ballroom 3 | Captivity Narratives VI: Pedagogy Roundtable: Strategy Swap Session
363 Fiesta Ballroom 4 | Children and Young Adult Literature & Culture VII: Mixed Messages in Some Classic Young Adult Literature
364 Enchantment A | Collecting, Collectibles, Collector, Collections VII
365 Enchantment B | Computer Culture III: It's a Blog World: The Rise to Power of the Weblog
366 Enchantment C | Film and Film Adaptation XI: Saying, Seeing, and Doing
367 Enchantment D | Food and Culture in Greater Mexico II: Food as the Voice of Agency
368 Sendero I | Grateful Dead IX
369 Sendero III | Joseph Campbell and the Power of Myth VI: Myth and Archetype in Classic Literature
370 Enchantment E | Libraries, Archives, and Museums and Popular Culture IV: Culture, the Public, and Libraries
371 Enchantment F | Medievalism and Popular Culture II: Gender and Medievalism
372 Grand Pavilion IV | Native American XIII: Contextualizing the Tale: American Indians and American Literature
373 Sendero II | Native American XVIII: Special Event: Remebering Lee Francis
374 Grand Pavilion I | Religion V: Religious Responses to Culture
375 Grand Pavilion VI | Science Fiction and Fantasy XI: Mythologies
376 Grand Pavilion II | Science Fiction and Fantasy XVI: (Non)Human(ities) in Buffy
377 Grand Pavilion V | Shakespeare on Film and Television I
378 Sage Room 1 | Television V: Aesthetics, History, and Reality
379 Sierra Room 1 | Women's Studies IV: Better Late than Never: The Challenges and Possibilities of Creating a Women's, Gender, and Sexuality Studies Program in the Twenty-First Century
380 Fiesta Ballroom 1 | Chicana/Chicano Literature, Film, & Culture IV: "Witnessing" (New) Consciousnesses
381 Fiesta Ballroom 4 | Children and Young Adult Literature & Culture VIII: Roundtable Discussion - An Informal Conversation about Children's and Young Adult Culture
382 Enchantment A | Collecting, Collectibles, Collectors, Collections VIII
383 Enchantment B | Computer Culture IV: Virtual Life and Times: The Question of Being in Games
384 Fiesta Ballroom 2 | Cormac McCarthy I
385 Enchantment F | Creative Writing IV: Fiction
386 Fiesta Ballroom 3 | Ethnicity I: The Asian American Experience
387 Enchantment C | Film and Film Adaptation XII: Politics and Perception: Social Seduction, Seeing, and Being
388 Enchantment D | Food and Culture in Greater Mexico III: Cross-Cultural Contact, Globalization, and Negotiations of Culinary Histories
389 Enchantment E | Alfred Hitchcock I: Alfred Hitchcock: Trailers, History, and Influence
390 Sendero III | Joseph Campbell and the Power of Myth VII: Myth and Archetype in Popular Culture
391 Grand Pavilion IV | Native American XII: The Culture of Native Education II: Politics of Re-Edification
392 Sendero I | Photography and the West I
393 Grand Pavilion VI | Science Fiction and Fantasy XII: And Then There was . . . Buffy
394 Grand Pavilion II | Science Fiction and Fantasy XVII: Borders, Democracy, and Morality in Buffy: The Vampire Slayer
395 Sendero II | Shakespeare in Popular Culture I: Successful Shakespeare: Characterization and Popular Culture
396 Grand Pavilion V | Shakespeare on Film and Television II
397 Sendero I | Westerns in Film and Fiction I: Film
398 Sierra Room 1 | Women's Studies V: Women and the Politics of Place
399 Sage Room | American Culture Studies I: American Culture: Visions of Hero's & Villions
399C Sendero I | Screening: Strange Fruit
399D Sendero II | Screening: Guess Who's Coming to Dinner (1967)
399E Plenary Session: Guess Who's Coming to Dinner - A Bold Challenge to Racism or Liberal Fantasy?
Saturday, February 12, 2005 |
400 Fiesta Ballroom 1 | Biography, Autobiography, Memoir, and Personal Narrative V: Show Me The Women: 20th Century African American Biography in Missouri
401 Fiesta Ballroom 2 | Film and Film Adaptation XVIII: Film Area Reception
402 Fiesta Ballroom 3 | Creative Writing VI: Mixed Genres
403 Fiesta Ballroom 4 | Creative Writing Pedagogy V
404 Enchantment A | Film and Film Adaptation XIII: Williams' Wilde Vampyres
405 Enchantment B | Food and culture in Greater Mexico IV: Food's Metaphorical and Political Symbolism in Oral
406 Enchantment C | Grateful Dead X: Postmodern Interpretations of the Deadhead Community
407 Enchantment D | Libraries, Archives, and Museums & Popular Culture/Collecting, Collectors, and Collectibles Joint Panel 1: Special Libraries Panel Discussion
408 Enchantment E | Local Film Exhibition and Theater Preservation I
409 Enchantment F | Native American XIV: Indian Bodies, White Eyes: The Subaltern Body as a Site for Imagined Spaces
410 Sendero I | Science Fiction and Fantasy XIII: Buffy Feminisms
411 Sendero II | Science Fiction and Fantasy XVIII: The Poetics of Buffy
412 Sendero III | Shakespeare on Film and Television III
413 Sierra Room | Westerns in Film and Fiction II
414 Sage Room | Children's and Young Adult Literature & Culture IX: Children's/Young Adult Literature/Culture 9: Examining the Appeal of the Visual in Children's Popular Culture
415 Grand Pavillion I | Civil War and Reconstruction I: Civil War and Reconstruction: Re-reading the War's Legacy
416 Grand Pavillion IV | Popular Culture and the Classroom I: Integrating Popular Culture in All Environments
417 Fiesta Ballroom 1 | American Indians Today X: It's not always about English
418 Fiesta Ballroom 2 | Classical Myths in Recent Literature and Film XI: Exiles, Outcasts, and Parricides
419 Fiesta Ballroom 4 | Computer Culture V: The Wide World Broken Open: Cultural Studies in Cyberspace
420 Enchantment A | Cormac McCarthy II
421 Fiesta Ballroom 3 | Creative Writing VII: Mixed Genres
422 Enchantment C | Grateful Dead XI
423 Enchantment E | Local Film Exhibition and Theater Preservation II
424 Enchantment B | Medievalism and Popular Culture III: Medieval Issues
425 Enchantment F | Native American XI: The Culture of Native Education I: (Re)Framing Pedagogy
426 Enchantment D | Native American XV: Researching Indians: Methodological Concerns in the Ivory Tower
427 Sendero I | Science Fiction and Fantasy XIV: Vampire Identities
428 Sendero II | Science Fiction and Fantasy XV: Gendered Identities in Buffy: The Vampire Slayer and Angel
429 Sendero III | Shakespeare on Film and Television IV
430 Sierra Room | Creative Writing Pedagogy VI: Special Event Workshop
431 Sage Room | Civil War and Reconstruction II: What If? Alternative History and Civil War Fiction
A Special Presentation and Panel Discussion432 Grand Pavilion I | Popular Culture and the Classroom II: Using Graphic Novels, Film, and TV in the Classroom