Saturday 11:00 AM–12 Noon

334 ACA
AMERICAN ART & ARCH.: Special Session at the Philadelphia Museum of Art
Marcel Duchamp: Up Close and Personal; A Tour by Alice Goldfarb Marquis
Please register for the tour in advance at Amarquise@aol.com
You will receive information on meeting time and place from Alice Goldfarb Marquis, 8963 Caminito Fresco, La Jolla, CA 92037.

Saturday 10:30 AM–12 Noon

335 PCA Room 307
LEADERSHIP & LEADERSHIP STUDIES
Chair: Patrick White, Saint Mary’s College, Notre Dame, IN.
“The Reagan Revolution and the Legacy of Embodied Leadership.” Matthew Trachman, Social Science, CUNY, Queensboro Comm. College, Bayside, Ny 11364.
“Cloning from History: Lawrence of Arabia and Miles Naismith Vorkosigan.” V. Carchidi, School of English & Media Studies, Massey U, Palmerston North, New Zealand.
“Theodore Geisel’s Lessons on Leadership.” Becky Smith, Business Ad., York College, York, PA 17405.

336 PCA Room 308
FOOD & POPULAR CULTURE
Chair: Beverly Taylor, English, U of North Carolina, Chapel Hill, NC 27599.
“The Harvey Girls: How Food Won the West.” John Esperian, English, Comm. College of Southern Nevada, Las Vegas, NV 89146.
“Revolution in a Can: Class-ifying the American Self through Food.” Mary Rizzo, American Studies, U of Minnesota, Minneapolis, MN 55455.
“Dr. Strangelove in the Kitchen: The Rise of the One-Armed Meal.” James Ferguson, American Studies, U of North Carolina, Chapel Hill, NC 27599.
“Eating Your Cake and Writing It, Too.” Caroline Baxter-Larson, English, Iowa State U, Ames, IA 50011.

337 PCA Room 309
COLLECTING & COLLECTIBLES
Chair: Michael P. Soroka, Sociology, U of San Diego, San Diego, CA 92110.
“Using Narrative Analysis to Explain News Coverage of Collectibles and Collecting.” Ronald C. Bishop, III, Humanities-Comm., Drexel U, Philadelphia, PA 19104.
“Bang!: The Culture of Gun Collecting in the United States.” Robert K. Whalen, 18 Strafford R., Chatham, NJ 07298.
“Gas Station, Service Station, Filling Station: Preserving a U.S. Icon.” Daniel J. Fuller, English, Kent State U, Tuscarawas Campus, New Philadelphia, OH 44663.
“I Want a Girl Just Like the Girl That Hung in Dad’s Garage: In Search of the Perfect Pinup.” Michael P. Soroka.
“A Typology of Collecting.” Adrian Rapp and Lynda Dodge, Sociology, North Harris College, Houston, TX 77073.

338 Room 310
READING & PUBLISHING POPULAR LIT.
Chair: Alison M. Scott, Widener Library, Harvard U, Cambridge, MA 02138.
“Wrong Turn at the Tabard Inn.” Clark Evans, Rare Books & Special Collections, Library of Congress, Washington, DC 20540.
“An (Un)enthralling Novel: Images of Women Reading Popular Fiction in Fin-de-Siecle Art.” Robert Hendrick, History, St. John’s U, Jamaica, NY 11439.
“Robert Burns, James Boswell, the Roof Repairman and the Cook: Buying Books at Charles Elliot’s Shop in Edinburgh in the Late 18th Century.” Warren McDougall, Centre for the History of the Book, U of Edinburgh, 221 Buccleuch Place, Edinburgh, Scotland EH8 9LN.
339 ACA/PCA Room 401
THE AMERICAN DREAM & ITS CRITICS: Undergraduate Student Panel
Honors Students Eastern Kentucky U, Richmond, KY.
Richard D. Freed, English.340 Room 402
POLITICAL CULTURE OF RITUALISTIC MOVEMENTS
Chair: Antonio Lara, U of the Americas, Puebla, Cholula, Mexico 72820.
“The Order of DeMolay: Bill Clinton’s Lodge Days and the Political Culture of Belonging in Modern America.” Paul Rich,U of the Americas, Puebla, Cholula, Mexico 72820; and Guillermo De Los Reyes, Folklore & Folklife, U of Pennsylvania, Philadelphia, PA 19104.

341 PCA Room 403
LATIN AMERICAN & CARIBBEAN CULTURE: From Political Upheaval to Popular Song
Moderator: Jorge Febles, Foreign Lang. & Lit., Western Michigan U, Kalamazoo, MI 49008.
“La Funa: Outing Human Rights Violators in Chile.” Rosalind Bresna-han, Comm. Studies, California State U, San Bernardino, CA 92407.
“Coming of Age—Two Women, One Nation in He olvidado tu nombre.” Isabel Z. Brown, Foreign Lang. & Lit., U of South Alabama, Mobile, AL 36688.
“Appropriated Voice and Images: La Macha as Interpreter of Mexican Corridos and Rancheras.” Jorge Febles.

342 PCA Room 404
JACK LONDON’S LIFE & WORKS
Chair: Susan Nuernberg, English, U of Wisconsin, Oshkosh, WI 54901.
“Oates and London on ‘The Sweet Science.’” George R. Adams, Lang. & Lit., U of Wisconsin, Whitewater, WI 53190.
“Melville’s Heir? Jack London’s Distrust of His Medium and His Reader.” Sean Hoare, English, Marymount U, Arlington, VA 22207.
“The Ideal Worker as Perfect Machine? London’s Critique of Taylor-ism.” Susan Nuernberg.

343 Room 405
CIVIL WAR: Battlefields, Reenactments, & Flags
Chair: Randal Allred, English, Brigham Young U, Laie, HI 96762.
“Remembering Perryville: History and Memory at a Civil War Battlefield.” Kenneth Noe, History, Auburn U, Auburn, AL 36849.
“The Reenactment of the Battle of Aiken, South Carolina: Its Partici-pants, Its Audience, Its Meaning.” Jim Farmer, History, U of South Carolina, Aiken, SC 29801.
“Heritage or Hate? The Controversy over the Confederate Battle Flag on the Statehouse Dome in South Carolina.” George Hopkins, History, College of Charleston, Charleston, SC 29801.

344 PCA Room 406
ANIMAL CULTURE
Chair: Debbie Phillips, Speech & Theatre, Muskingum College, Muskingum, OH.
“Cultural Capital in the Global Economy: Camel Wrestling as a Tourism Resource.” Jon Donlon, Human Resources, U of Louisiana, Lafayette, LA.
“Domesticating the Jungle: Children, Families, and Zoos, 1938-1965.” Jeffrey Hyson, History, Saint Joseph’s U.
“Death and Dying at the Zoo.” S.M.P. Benbow, Geography, U of Manitoba, Winnipeg, Man. Canada 43T 2N2.
“Consumer Products and Animal Testing.” Hana Noor Al-Deen, Comm. Studies, U of North Carolina, Wilmington, NC.
“Competitive Dog Sports: Family Fun or Family Friction?” Elinor Lerner, Sociology, Richard Stockton College, Pomona, NJ 08240. Ann Leffler, Utah State U, and Dair Gillespie, U of Utah, are the other two researchers on the project. They will not appear at conference.
panel may run over to next time slot if needed.

345 PCA Room 407
AMERICAN LIT.: Reciprocal Influences of Fiction & Film
Chair: Stephanie Anya Richardson, English, U of North Carolina, Wilmington, NC 28403.
“The Uncut South: Raw Realism in the Work of Larry Brown.” L. Daw-son Jackson, Jr., Film Studies Program, U of North Carolina, Wilm-ington, NC 28403.
“Doppelgangers and the Postmodern Condition in Herman Melville’s The Confidence Man and in Fight Club.” Granetta L. Richardson, English, U of North Carolina, Wilmington, NC 28403.
“Fin-de-Siecle: Gothic Horror in Henry James’s The Turn of the Screw and in The Sixth Sense.” Stephanie Anya Richardson.

346 PCA Room 408
MASCULINITIES: Tough Guy “Winners” & Working-Class “Losers”
Chair: Fran Shor, Interdisciplinary Studies Program, Wayne State U, Detroit, MI 48202.
“Mr. Hammer Meets Mr. X: 1958’s Masculinity in Hot and Cold.” Megan Abbott, English, New York U, New York, NY 10019.
“Oil, Tanned, and Bleached: Representations of Hyper-Masculinity in U.S. Professional Wrestling.” Patrice A. Oppliger, Comm., La Salle U, Philadelphia, PA 19141.
“Masculinity Exposed: Consumerism and Influence in David Finher’s Fight Club.” Dava L. Simpson, American Studies, U of South Florida, Tampa, FL 33620.
“Loveable Losers: The Working-Class Male in Television.” Melissa Williams, American Studies, U of Minnesota, Minnapolis, MN 55455.

347 PCA Room 409
asian studies: Gender & Asian Comic Art
Chair: John A. Lent, Temple U, Philadelphia, PA.
“The Homosexual Male in Girl’s (Shouja) Anime.” Wendy Goldberg, U of Connecticut, Willimantic, CT 06226.
“Beyond Shoujo, Blending Gender: Subverting the Homogendered World in Shoujo Manga.” Fusami Ogi, English, Chikushi Jogakuen U, 2-12-1 Ishizaka Dazaifu, Fukuoka 818 0192 Japan.
“Sexism in Japanese Ladies’ Comics.” Kinko Ito, Sociology, Anthro-pology, & Gerontology, U of Arkansas, Little Rock, AR 72204.
“Japanese ‘Kawaii’ Doll: Hello Kitty in American Women’s Eyes.” Hong-Chi Shiau, Temple U, Philadelphia, PA 19103.

348 ACA Room 410
AMERICAN INDIAN: Storytelling from the U.S. & Canada
Chair: Blanca Chester, 902 Britton Dr., Port Moody, BC V3H 3S5 Canada.
“Structure, Community and Law: Spiral Pattern in Sarris’ Watermelon Nights.” Margara Averbach, Paso 240, (1832) Lomas de Zamora, Provincia de Buenos Aires, Argentina.
“American Indian Sovereignty and Feminist Nationalism: LaDuke’s Last Standing Woman.” Deirdre Keenan, English, Carroll College, Waukesha, WI 53186.
“Cartographic (Mis)Representation and Native Resistance in Green Grass, Running Water.” John G. Baillieul, 285 Lisgard St., Sydney, Nova Scotia, B1P 2Z2 Canada.
“Infusional Literature: The Storied World of Harry Robinson.” Blanca Chester.

349 PCA Room 411
THEATRE: (De)Constructing Women
Chair: Jane Berard, Arts, Lang. & Lit., Western State College, Gunni-son, CO 81213.
“The Theatre Criticism of Edgar Allan Poe.” Sally Burke, English, U of Rhode Island, Providence, RI 02881.
“A Call to Arms, An Excuse for Legs.” John Barnes, Arts, Lang. & Lit., Taylor Hall, Western State College, Gunnison, CO 81231.
“Dress and Manners in Sheridan’s The Rivals & School for Scandal.” Sue Fisher Vaughn, English, U of Rhode Island, Providence, RI 02881.
“Hard Times, the Musical: Dickens’ Circus Ladies.” Jane Berard.

350 PCA Room 412
DEVIANCE & POPULAR CULTURE
Chair: Rebecca Plante, 4563 Willowdale Rd., Springfield, OH 45502.
“The Price of Non-Conformity to Sex and Gender Identity Norms: A Diagnosis of Gender Identity Disorder.” Zahra Meghani, Medical Ethics, Michigan State U, East Lansing, MI 48823.
“From Lollipops to Lolita: Perceptions of Age and Beauty among Beauty Pageant Contestants.” Martha Heltsley, 6755 Giant City Rd., 51, Carbondale, IL 62901.
“Deviance and the Aging Athlete: A Participant-Observation Study of Rugby.” Kenneth B. Muir and Edwin Rosenberg, Appalachian State U, Sociology & Social Work, Boone, NC 28607.
“Popular Culture and Police ‘Performance.’” Jarret S. Lovell, School of Criminal Justice, Rutgers U, Newark, NJ 07102.

351 PCA Room 413
THE SIXTIES: Music, Television & Art
Chair: Beverly Carter, Grove City College, Grove City, PA 16127.
“Listening to Both Sides of the Concept Album.” David Owen Montgomery, 10F-86 Gerrard St. East, Toronto, ON Canada M5B-2J1.
“The British Invasion and Its Effect on American Rock and Roll.” Peter Hirschburg, Sociology, Southeast Missouri State U, Cape Girardau, MO 63701.
“Jed Clampett to Neil Armstrong Going ‘Where No Man Has Gone Before’: Travel in the Sixties in Life and on the Screen.” Edward J. Reilly, English, Saint Joseph’s College, Standish, ME 04084.
“From Pop to Pin-up: The Ramifications of Portrayals of Women in Pop Art.” Beverly Carter.

352 Room 414
MUSIC
Chair: Janet Novak, Comm., U of Illinois, Springfield, IL 62794.
“Risky Records: Risqué Songs and Jukeboxes in the 1930s.” Chris Rasmussen, History, U of Nevada, Las Vegas, NV 89154.“Transgressive Poetics: The Rhetoric of Revolution in Bob Marley’s Songs.” Paula Ackerman, 4545 Connecticut Ave., NW #935, Washing-ton, DC 20008.
“Skanking in the Dark: The Persistence of the Ska Subculture after the Trendiness Has Gone.” Bob Pomeroy, MOE Magazine, PO Box 320753, Tampa, FL 33679.
“The Sound of Suffrage: Music and Voting Rights for Women in the United States.” Janet Novak.

353 Room 415
FUDOS/TOPOS: Territories of Murder, Love, & Historical Redefinition
Chair: Ila Goody, Humanities, York U, 4700 Keele St., North York, ONT Canada M3J 1P3.
“Kon-Tiki Expeditions: Class and Space in Some Works of Ruth Rendell.” Norma Rowen, Humanities, York U, 4700 Keele St., North York, ONT Canada M3J 1P3.
“The Murderers Are (Still) Among Us: Places of (Repressed) Memory Assert Themselves on Germany’s Public Consciousness.” James J. Ward, History, Cedar Crest College, Allentown, PA 18104.
“The Phenomenology of (Post)Modern Places in Contemporary Japanese Fiction and Architecture.” Junio Y. Xango, Massey College, 4 Devonshire Place, Toronto, ONT Canada M5S 2E1.
“Landscapes of Nostalgia in Murakami Haruki’s South of the Border, West of the Sun and Mizoguchi Kenji’s Ugetsu.” Ila Goody.

354 ACA Salon A
AMERICAN ART & ARCH.: Multiple Houses & Gardens
Chair: Lauren Bricker, California State Polytechnic U, Pomona, CA.
“Is Reform Synonymous with Modernity? The Multiple Unit Housing Projects of Irving J. Gill.” Lauren Bricker.
“Somewhere between a Teacup and a Tincan: Living in a Lustron Home.” Marianne Berger Woods, 587 Center St., Meadville, PA 16335.
“The Touch of Time.” Juilee Decker, Case Western Reserve U, Cleve-land, OH.

355 PCA Salon B
MYSTERY & DETECTIVE: What Are the Current Parameters of Detective Fiction?
Chair: Anne-Marie Feenberg, Whitehead College, U of Redlands, Redlands, CA 92373.
“Muddying the ‘Mainstream’ Waters: The Crime Novels of William McIlvanney.” Don Wall, 1102 Gary St., Cheney, WA 99004.
“Mysterious Margins.” James Sullivan, Educational Skills, Fashion Inst. of Tech., SUNY, New York, NY 10041; and Emily Wright, English, Berry College, Rome, GA 30149.
“Experiments in Form: Marcia Muller’s Sharon McCone Novels.” MaryKay Mahoney, English, Merrimack College, North Andover, MA 01845.
“Policemen I Have Loved and Lost: Commissaire Maigret and Inspector Imanishi.” Anne-Marie Feenberg.

356 PCA Salon C
VIETNAM: Film Essay
Filmmaker: Kris Samuelson, Comm., Stanford U, Stanford, CA 94305.
Riding the Tiger.

357 PCA Salon D
AFRICAN-AMERICAN CULTURE: Fiction & Technique
Chair: Harry B. Shaw, OASIS, College of Liberal Arts & Sciences, U of Florida, Gainesville, FL 32611.
“Flight: Milkman’s Inherited Power to Survive.” Stephanie D. Johnson, 3323 Weeping Willow Court, Apt. #43, Silver Spring, MD 20906.
“Gayle Jones’s Mosquito: Orality and Improvisational African American Literary Form.” Joseph McLaren, English, Jofstra U, Hempstead, New York 11550.
“When Will the Blues Leave?: The Blues Idiom and Walter Mosley’s Novel RL’s Dream.” Vattel T. Rose, Afro-American Studies, Ohio U, Athens, OH 45701.
“Shaping Facts into Narratives: Writing Biography in Popular Culture.” Philip M. Royster, African-American Studies and English, U of Illinois, Chicago, IL 60607.

358 PCA Salon E
FILM & HISTORY: Film & Society
Chair: Tony C. Smith, Northwestern State U, Natchitoches, LA 71497.
“Long Live the New Flesh: Double Exposure in the Films of David Cronenberg.” Michelle Citrin, U of Vermont, English, Burlington, VT 05405.
“City on a Hill to Big Brother: Government, Identity and Cultural Change in American Film.” Jim Walsh, History, New England College, Henniker, NH 03242.
“Panting at the Keyhole: Voyeurism and Perverse Diversions in Adaptations of Hugo’s Notre Dame de Paris.” Laurie Harnick, English, U of Western Ontario, London, Ontario, Canada N6A 3K7.
“Sinister, Somber or Silly: Nixon in the Movies.” Michael Cary, History & Political Science, Seton Hill College, Greensburg, PA 15601.

359 PCA Salon F
FILM: Violence, Family Values, & Sexuality
Chair: Jeff Saperstein, English, Radford U, Radford, VA 24142.
“Pulp Fiction: A Thread of Family Values in the Warp of Violence.” Jody Cohen, Marketing, Rider U, Lawrenceville, NJ 08648.
“Gladiator: Family Values and Promise Keepers in the Colosseum.” James Keller, Humanities, Mississippi U for Women, Columbus, MS.
“Poe, Hitchcock, and the Ratiocinative Sublime.” Dennis R. Perry, Brigham Young U, Provo, UT.
“Who Killed Lester Burnham?” Jeff Saperstein.

359a PCA Salon G
SF/F: Remake/Remodel; Bodies of Fantasy Film
Chair: Michael du Plessis, Comp. Lit. U of Colorado, Boulder, CO 80309.
“Masculinity and Disappearance in Film from James Whale to Paul Verhoeven.” Kathleen Chapman, Comp. Lit., U of Colorado, Boulder, CO 80309.
“Snake Eyes: Metamorphosis as Remaking (His)tory.” Priya Jha, Comp. Lit., U of Colorado, Boulder, CO 80309.
“Shock! Horror! Sexchange!: Horror Films and Fantasies of Sex Trans-formation.” Michael du Plessis.

360 PCA Salon H
COMIC ART & COMICS: Creating Comic Books
Chair: Randy Duncan, Comm. & Theatre Arts, Henderson State U, Arkadelphia, AR 71999.
“Lee and Kirby Revisited: Toward a Superhero Aesthetic.” Dan C. Shoemaker, American Studies, U of New Mexico, Albuquerque, NM 87131.
“Same as It Never Was: Nostalgia in Contemporary Comics.” Charles Hatfield, English, U of Connecticut, Storrs, CT 06269.
“Bitter, Unattractive, and American: Robert Crumb’s Autobiographical Comics.” Edward A. Shannon, School of American & International Studies, Ramapo College, Mahwah, NJ 07430.
“Half an Art: The Practice of Comic Book Writing.” Randy Duncan.

361 ACA Salon I
POLITICS: Images of Yemen
Chair: Shirley Dort, Art & Design, Virginia State U, Petersburg, VA 23806.
“An Examination of Yemen’s Efforts at Portraying Modernization.” Jack V. Kalpakian, International Studies, Old Dominion U, Norfolk, VA 23529.
“Qat: Barrier or Boon for Yemen in the 21st Century.” Brice Harris, Jr., History, Occidental College, Los Angeles, CA 90041.
“Architectural Preservation in Yemen.” Fran Hassencahl, Comm. & Theatre Arts, Old Dominion U, Norfolk, VA 23529.
“From Revolution to Reform: Its Impact upon Yemeni Women.” Thomas R. Eckenrode, History, Fort Lewis College, Durango, CO 81301.

362 PCA Salon J
CELEBRITY CULTURE: Marilyn, Princess Diana, David Duchovny
Chair: Michael Brody, U of Maryland, American Studies, College Park, MD 20742.
“Marilyn Monroe and the American Dream.” Pamela Venz, Art, Birm-ingham-Southern College, Birmingham, AL 35254.
“Survivors and Big Brother; 15 Minutes Too Long; Pseudo Celebrity and Nastiness.” Michael Brody.
“Intellectual Media Response to the People’s Princess’ Phenomenon: Ideology and Popular Imagination.” Jesse T. Airaudi, Baylor U, English, Waco, TX 76798.
“Reconstructing David and Gillian: X-Files Celebrity Talk on a Women-Only Electronic Mailing List.” Rhiannon Bury, U of Waterloo, Women’s Studies, Toronto, ONT Canada M6J 3E8.

363 PCA Salon K
TELEVISION: Prime-Time Drama
Chair: Sander Lee, Philosophy, Keene State College, Keene, NH 03435.
“The Drama of Trauma: Communal Ritual and Narrative Counter-Pacing in ER.” Mailin Barlow, Valencia Comm. College, Orlando, FL 32802.
“A Prophetic Reading of Ally McBeal.” Samnatha Sansevere, English, Purdue U, West Lafayette, IN 47907.
“The Discourse of Law & Order: A Technical Analysis of the Opening Credits.” Benedetta Gennaro, Mass Comm., Oxford, OH 45056.
“Cultural and Philosophical Themes in The Fugitive.” Sander Lee.364 ACA Salon L
LAW: Literature
Chair: Paul A. LeBel, College of Law, Florida State U, Tallahassee, FL 32306.
“Mere Repetitions of the Ages: Moby Dick’s Chapter 45: The Affidavit.” J. Mark Bagget, English, Samford U, Birmingham, AL 35229.
“Subversive Jurisprudence: Law in the Fiction of James Alan McPher-son.” Paul A. LeBel.
“Daniel and the Judges: Some Thoughts about Comedy and Susanna.” Timothy Hoff, Box 870382, Tuscaloosa, AL 35487.

365 PCA Room 501
ELIZABETHAN: Shakespeare, Spenser, and the Sheriff of Notting-ham
Chair: Judy Ann Ford, History, Texas A&M U, Commerce, TX 75429.
“Henry V’s Blue Gown.” Sally Romotsky, English & Comp. Lit., California State U, Fullerton, CA 92634.
“The Relationship between Ophelia’s Personality and Her Demise in Shakespeare’s Hamlet.” Amanda Graham, Taylor Business Park, Warrington Rd., Risley, Warrington, AW3 6BL, England.
“The Sheriffs of Nottingham.” Roberta Lynne Staples, Lang. Lit. & Media Studies, Sacred Heart U, Fairfield, CT 06432.
“Popular Culture and New Historicism: Following the Money in the Elizabethan Classroom.” Mary Schmeizer, English, St. Joseph’s U, Philadelphia, PA 19131.

366 ACA Room 502
GENDER, MATERIAL CULTURE, & WORKING WITH HANDS
Chair: Sue Bridwell Beckham, English & Philosophy, U of Wisconsin– Stout, Menomonie, WI 54751.
“Someday My Prince Will Come: The Role of Scrapbooks and Fan Fiction in Teenybopper Culture.” Kristen Kidder, 230 N. Enterprise St. Apt. B, Bowling Green, OH 43402.
“Vera Neumann, Screenprinting and the Printex Corporation.” Scott William Perkins, 117 Seaman Ave., New York, NY 10034.
“Working with Fabric: Quilting and Biology as ‘Women’s Work.’” Maura C. Flannery, Center for Teaching & Learning, St. John’s U, Jamaica, NY.