The Wearing of the Rainbow
By Edward T. O'Donnell History News Service
'Tis shocking but true -- the St. Patrick's Day parade in
America isn't really about being Irish. How can that be,
what with millions turning out in scores of cities and towns
across the country to enjoy the processions of Irish pipe
bands, step dancers and county societies? The answer is that
behind these scenes of Hibernian pride and pageantry there
lies a larger and more profound message of American
inclusion and tolerance.
This message is evident in the parade's origin and
evolution. The first recorded marches took place in colonial
New York City (by regiments of Irish soldiers in the British
Army). But it was in the mid-19th century that the parade as
we know it took form. This coincided with both the massive
influx of Irish immigrants to America due to the Great
Famine and the sharp rise in anti-Irish bigotry by those
convinced the Irish would never make good Americans.
As a result, these early St. Patrick's Day parades
expressed both the pride of the Irish in their heritage and
their demand for acceptance as full and equal citizens. They
highlight the Irish contribution to America's evolving ethos
of tolerance and inclusion.
A century and a half later, this same spirit motivates
the groups of Irish lesbians and gays who in the 1990s began
battling parade organizers in court and police in the street
for the right to participate in the parade. Why do they
bother, some ask -- aren't there more pressing issues like
AIDS research or hate crimes legislation?
The reason for their activism is clear: members of these
groups see inclusion in the parade as a validation of their
larger efforts to gain the full measure of respect and
rights they believe they deserve. It's hardly going out on a
limb to predict that they'll soon win that right. After all,
similar groups are now allowed to march in parades in
Ireland.
To see the truly pluralist implications of the St.
Patrick's Day parade, one has only to look at the event
calendars in cities and towns across the country on days
other than March 17. Simply put, the original ethnic
celebration in America -- and its dual message of pride and
inclusion -- has spawned thousands of ethnic parades. This
year in New York City, the birthplace of the St. Patrick's
Day parade, more than 40 such events will occur. The largest
will take place not on March 17, but on September 4 -- the
annual West Indian Day Parade and Carnival.
Critics and pessimists among us have argued that this
proliferation of ethnic parades, in contrast with the
decline in traditional parades for Veterans Day and Labor
Day, indicates a fragmentation of American society. Yet one
only need look at the catastrophic results of ethnic, racial
and religious hatred around the world -- in places such as
Kosovo, Rawanda, Israel, and of course, Northern Ireland --
to appreciate the unprecedented degree to which Americans
have found ways to weave ever more disparate groups into the
national fabric. Surely we have a long way to go in pursuing
this ideal, but it's important to recognize how far we've
come.
It's in this sense that the St. Patrick's Day parade
transcends the Irish experience in America. From the very
beginning it has embodied the spirit of tolerance and
inclusion that has helped propel forward the nation's
remarkable and ongoing, if imperfect, experiment in
multicultural democracy. Now that's something worth
celebrating.
Edward T. O'Donnell is an assistant professor of history,
Hunter College, CUNY, author of the forthcoming "1001 Things
Everyone Should Know About Irish American History" and a
writer for the History News Service.
[Edward T. O'Donnell, Department of History, Hunter
College, 695 Park Ave., New York, NY 10021; telephone:
(212) 772-5540 or (718) 748-6516; e-mail: odonnell1@earthlink.net.]
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This article was posted on March 11, 2000.
Pictured at top (left to right): An Egyptian
harvest, Dred Scott, Nikita Khruschev, Cesar Chavez, Rachel
Carson, Police and civil rights activists clash during a
protest march from Selma to Montgomery, Alabama.
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