Community History Visualized:
Murals in Place and Cyberspace

Mike Mosher

Department of Art, San Francisco State University, San Francisco CA 94132.

mikemosh@well.com




Holly Courts Mural (1980; destroyed)

One of the most promising new artforms of the past quarter-century has been the community mural. In no small part that's because a neighborhood's history can be given form and celebrated in public. How might that artform move, in form and content, into the shared digital realm? In this presentation, the artist discusses historical motifs in murals in San Francisco and the development of appropriate subject matter for a physical site; plus his nine-step "Tennis Game" community process that allows for maximum group input while maintaining artistic professionalism that works for adults, schoolchildren, or a neighborhood group of all ages.



Now the potential has opened up for historical multimedia to be electronic, published on disk, displayed in kiosks and situated the World Wide Web, whose sites is not physical but a node in cyberspace. Can we paint murals here? How can collaborative group processes that work in a neighborhood be applied to this space? What graphic user interface and usability lessons from commercial multimedia must we know?


Laguna Honda Hospital (1990)


Mike Mosher has painted and organized over a dozen public murals in San Francisco 1980-1990. Currently faculty of the San Francisco State University Conceptual Design and Information Arts Program, he has taught at the SFSU Inter-Arts Center and SFSU Multimedia Studies Program, University of San Francisco Professional Studies Program, and Cañada College in Redwood City CA. His 1994 essay "Towards Community Art Machines" in the online publication BAD SUBJECTS will appear in the anthology Bad Subjects (NYU Press, scheduled November 1997). Mike has also designed multimedia for Apple Computer, IBM Almaden Research Center, Cisco Systems and other Silicon Valley companies.


Artwork (c) Mike Mosher 1997.