| VOLUME XXI, NUMBER 2 |
FALL, 2001 |
Dale Wasserman
Bulletin of the CERVANTES SOCIETY OF
AMERICA
THE CERVANTES SOCIETY OF
AMERICA
President
EDWARD H. FRIEDMAN
Vice President
JAMES A. PARR
Secretary-Treasurer
THERESA SEARS
Executive Council |
| ELLEN ANDERSON |
|
MW NINA COX DAVIS |
| MARINA BROWNLEE |
|
NE PATRICIA KENWORTHY |
| ANTHONY CÁRDENAS |
|
PC GEORGE SHIPLEY |
| MICHAEL MCGAHA |
|
SE ILUMINADA AMAT |
| ADRIENNE MARTIN |
|
SW JOSEPH V. RICAPITO |
CERVANTES: BULLETIN OF THE CERVANTES
SOCIETY OF AMERICA
Editor: DANIEL EISENBERG
Managing Editor: FRED JEHLE
Book Review Editor: WILLIAM H. CLAMURRO
Editorial Board |
| JOHN J. ALLEN |
|
MYRIAM
YVONNE JEHENSON |
| ANTONIO BERNAT |
|
CARROLL B. JOHNSON |
| PATRIZIA CAMPANA |
|
FRANCISCO MÁRQUEZ
VILLANUEVA |
| PETER DUNN |
|
FRANCISCO RICO |
| JAIME FERNÁNDEZ |
|
GEORGE SHIPLEY |
| EDWARD H. FRIEDMAN |
|
ALISON P. WEBER |
| AURELIO GONZÁLEZ |
|
DIANA DE ARMAS WILSON |
Cervantes, official organ of the Cervantes Society of America,
publishes scholarly articles in English and Spanish on Cervantes' life and
works, reviews, and notes of interest to cervantistas. Twice yearly.
Subscription to Cervantes is a part of membership in the
Cervantes Society of America, which also publishes
a Newsletter. $20.00 a year for individuals, $40.00 for institutions,
$30.00 for couples, and $10.00 for students. Membership is open to all persons
interested in Cervantes. For membership and subscription, send check in US
dollars to THERESA SEARS, Department of Romance
Languages, University of North Carolina at Greensboro, Greensboro, NC 27402-6170
tasears@uncg.edu. Manuscripts should
be sent in duplicate, together with a self-addressed envelope and return
postage, to DANIEL EISENBERG, Editor,
Cervantes, Excelsior College, 7 Columbia Circle, Albany, NY 12203-5157
(daniel.eisenberg@bigfoot.com).
The SOCIETY requires anonymous submissions, therefore the
author's name should not appear on the manuscript; instead, a cover sheet
with the author's name, address, and the title of the article should accompany
the article. References to the author's own work should be couched in the
third person. Books for review should be sent to WILLIAM H.
CLAMURRO, Division of Foreign Languages, Emporia State University,
Emporia, Kansas 66801-5087
(clamurrw@emporia.edu).
Copyright © 2001 by the Cervantes Society of America.
 |
VOLUME XXI, NUMBER 2
TABLE OF CONTENTS |
ARTICLES
| |
Cervantes y la Quixotic Fiction: El hibridismo
genérico |
|
| |
JOHN G. ARDILA
 |
5 |
| |
Tobias Smollett's theoretical considerations on the novel appear
throughout his literary career, e.g. in his prologue to Roderick Random
or in the prologues to his translations of Gil Blas and Don
Quixote. Smollett drew from the great models of the Spanish and French
picaresque traditions as well as from Don Quixote the influence
of which is particularly evident in Sir Laucelot Greaves. This essay
explores the chief quixotic element in Smollett's best-known novel, Humphry
Clinker: its hybrid quality, i.e. the composition of the ideal novel
as a composite of the previous and contemporary novelistic trends. Humphry
Clinker is therefore a literary compendium of eighteenth-century novelistic
schools like Don Quixote was of the fifteenth-century Spanish
novel.
|
|
| |
Sola una de vuestras hermosas manos: Desmembramiento
petrarquista y disección anatómica en la venta (Don
Quijote, I, 43)
 |
|
| |
ENRIQUE FERNÁNDEZ |
27 |
| |
The episode in which Maritornes and the innkeeper's daughter attract
Don Quixote to a hole in the wall where they hang him from his hand is a
parody of the dismemberment of the female body in the Petrarchan tradition.
The parody is achieved through a comical feminization of Don Quixote's body
through a role reversal and through a cruel actualization of the dissective
elements implied in the rhetoric of poetic bodily dismemberment. Don Quixote
hanging from his hand is similar to corpses hanging by their hands for
dissection, an image common in the anatomical books and in the anatomical
theaters so popular in this period. The humor and horror of this scene reflect
the anxiety the combination of curiosity and fear that dissected
bodies arouse in a period when the anatomical science was dismembering the
human body, the cornerstone around which human individuality was being
constructed.
|
|
| |
Heroics of Persuasion in Cervantes' Trabajos de Persiles
y Sigismunda
 |
|
| |
CAROLYN
LUKENS-OLSON |
51 |
| |
Los trabajos de Persiles y Sigismunda es una novela de
caballerías de otra índole. De hecho, es una obra de alto contenido
político, cuyo héroe no ciñe espada. A lo largo de la
acción, es la persuasión y no la coerción el arma que
usa Persiles, elocuente y prudente orador, para proteger al grupo de peregrinos
al que acompaña durante su largo y tortuoso viaje a Roma. Este estudio
señala también la eficacia de este modus operandi de
Persiles, y cómo la alternativa, la coerción violenta, tiene
consecuencias nefastas. Mi conclusión es que, con Los trabajos
de Persiles y Sigismunda, Cervantes propone un nuevo paradigma de lo
heroico.
|
|
| |
Themes of Exile in Thomas Mann's Voyage with Don
Quixote
 |
|
| |
GENE R. PENDLETON and
LINDA L. WILLAMS |
73 |
| |
El ensayo Viaje con Don Quijote describe las experiencias
de Thomas Mann a bordo del vapor que le llevaba a los Estados Unidos. Durante
el viaje leía la obra de Cervantes. Con la figura de Ricote como punto
de partida, medita el exilio. El ensayo es una crítica del fascismo,
filosofía contraria a los principios morales del europeo verdadero.
|
|
| |
Un millón de avemarías: El rosario
en Don Quijote
 |
|
| |
ROBERTO VÉGUEZ |
87 |
| |
As an instrument of religious devotion, the rosary acquired renewed
importance through its papally decreed association with the battle of Lepanto.
The victory over the Turks on that occasion was perceived by Cervantes as
the most important event of all times. And yet in Don Quijote, Cervantes
presents the rosary bathed in satire, which in one instance went beyond the
limits of endurance of the Portuguese Inquisition. In this article I study
the seven appearances of the rosary in Don Quijote by placing each
in its textual context. I then widen the focus by considering recent critical
approaches within Bakhtinian and anthropological parameters. I conclude that
the treatment of the rosary in Don Quijote may offer us a clue to
the conflict between the new religiosity then being imposed by post-Tridentine
Catholicism, and the popular manifestations of devotion prevalent at the
time.
|
|
REVIEW ARTICLE
| |
Bendito sea Alá: A New Edition of
Belianís de Grecia
 |
|
| |
HOWARD MANCING |
111 |
DOCUMENTS
| |
A Diary for I, Don Quixote
 |
|
| |
DALE WASSERMAN |
117 |
| |
I, Don Quixote
 |
|
| |
DALE WASSERMAN |
125 |
REVIEWS
| |
James Iffland. De fiestas y aguafiestas: risa, locura e
ideología en Cervantes y Avellaneda.
 |
|
| |
THERESA ANN SEARS |
215 |
| |
Ronald Paulson. Don Quixote in England. The Aesthetics of
Laughter.
 |
|
| |
ANTHONY CLOSE |
220 |
| |
Rachel Schmidt. Critical Images. The Canonization of Don
Quixote through Illustrated Editions of the Eighteenth Century.
 |
|
| |
ANTHONY G. LO RÉ |
222 |
| |
Ingeniosa Invención: Essays on Golden Age Spanish
Literature for Geoffrey L. Stagg in Honor of his Eighty-fifth Birthday.
 |
|
| |
VINCENT MARTIN |
227 |
| |
K. Sliwa. Documentos cervantinos. Nueva recopilación;
lista e índices.
 |
|
| |
JOSÉ MONTERO REGUERA |
230 |
[BACK COVER] |
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