Art-Historical Scholarship and Publishing in the Digital World Emily Pugh, Center for Advanced Study in the Visual Arts (email@example.com) Petra Chu, Seton Hall University (firstname.lastname@example.org)
In recent years computing technologies have opened up new avenues of inquiry and new publishing formats for art-historical research. Yet these new opportunities are not without challenges and raise a number of questions. Do computer-based tools represent merely a more expedient way to answer existing art-historical research questions, or can they inspire art historians to ask (and answer) entirely new questions? What are the options available for publishing new kinds of scholarly data (datasets, three-dimensional images)? What about copyright? And funding? Are there models for best practices for collaborative projects or for working with technical specialists? What are the implications of such approaches for peer review and tenure? Scholars who have used computing technology in their research and publishing are invited to join this panel to discuss their approaches and practices, to analyze what has worked or has not, and in the process to answer some of the questions raised above.
Proposals for participation in sessions should be sent directly to the appropriate session chair(s). If a session is cochaired, a copy should be sent to each chair, unless otherwise indicated. Every proposal should include the following five items:
1. Completed session participation proposal form, located at the end of this brochure, or an email with the requested information. 2. Preliminary abstract of one to two double-spaced, typed pages. 3. Letter explaining speaker’s interest, expertise in the topic, and CAA membership status. 4. CV with home and office mailing addresses, email address, and phone and fax numbers. Include summer address and telephone number, if applicable. 5. Documentation of work when appropriate, especially for sessions in which artists might discuss their own work.
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