Imagining Diaspora in the Shadow of U.S. Empire
African Diasporas: Old and New Conference, April 3-6, 2014
University of Texas at Austin
W.E.B. DuBois famously said that he didn’t give a damn for any art that was not propaganda. Just as famously James Baldwin denigrated what he considered the stock characters of the protest novel. Perceptions of propaganda and protest are in and of themselves ideological lenses that may sharpen, distort, or render invisible the range of rhetorical and imaginative strategies manipulated to inform diasporic identities. Identifying “new” formulations of diaspora at specific historical junctures means redefining the terms of social and political engagement. Through an examination of rhetorical and literary strategies in a variety of media and through a variety of discourses this panel seeks to understand how subjects imagine and enact diasporic communities in the midst of U.S. territorial occupations. We take as a point of departure the “new” diaspora created through primarily military invasions in the late nineteenth and twentieth centuries beyond the contiguous U.S., with a particular focus on the Caribbean and Latin America.
Proposals should include a 250-word abstract and title, as well as the author's name, address, telephone number, email address, and institutional affiliation.
Send all proposals to Kimberly J. Banks @ email@example.com by November 15, 2013.
Dr. Kimberly J. Banks
Queensborough Community College
City University of New York
222-05 56th Ave
Bayside, NY 11364 Email: firstname.lastname@example.org
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