This CFP invites submissions from Postgrads or Early Career Researchers on the subject of ‘Death and Decay’ for the third edition of HARTS & Minds, an online journal for students of the Humanities and Arts, which is due to be published online in Winter 2013-14.
Submissions should adhere to the guidelines available on our website.
ARTICLES: Send us an abstract (300 words) and your article (no longer than 6000 words) using the article template available on our website.
BOOK REVIEWS: Between 1000 and 1500 words on an academic text that deals with the theme of Death and Decay in some respect. This would preferably be interdisciplinary, but we will accept reviews of subject specific texts.
EXHIBITION REVIEWS: Between 1000 and 1500 words on any event along the lines of an art exhibition, museum collection, academic event or conference review that deals with the theme of Death and Decay in some respect.
CREATIVE WRITING PIECES: Original poetry (up to 3 short or 1 long) or short stories of up to 6,000 words.
All submissions should be sent with an academic CV to email@example.com by Friday 4th October.
Subjects may include but are not limited to the following:
- Medical Humanities (e.g. Parasites, disease, autopsy, the cadaver)
- Rituals and rites of the dead in various cultures, Burial practices
- Death and dying in global literatures
- Visual Death; in art, photography, illustration, in film and television, on stage
- Death personified: the Grim Reaper, Yama & Lord of Naraka, Hel, Hades etc.
- The geography of death; real or mythological
- Decay of buildings, bodies, nature, morals
- Reincarnation, immortality, Afterlife, textual afterlives, Eschatology
- The death of discourse, language, the author, God
- Death as taboo
- War and death
- The future of death in a posthuman world.
- Hauntings, the undead, vampires, zombies.
- The value of Death
- Dirt and debris, Wrecks and ruins, Flotsam and Jetsam
- Elegy, Obituary, the Funeral March, Eulogy
- Monuments, Memorials and the Archive
- Suicide, both literal and metaphorical.
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