CFC: Family Line-Ups. Trans-generational Encounters in Family Photography
Call for Papers Date:
As a follow-up to the submissions we have already received and posted on our website (http://www.familylineups.com/category/submissions/), we launch a new Call for Contributions for a BOOK and an EXHIBITION. The EXHIBITION is to be organized in 2013 by a group of academics in the American Studies Program at the University of Bucharest. A selection of the projects will also be published in BOOK form sometime in 2014-2015.
The title of this project is FAMILY LINE-UPS. Trans-generational Encounters in Family Photography. The exhibition and book are part of a wider research project currently examining the role of family photography in the process of the inter-generational transmission of memory, with a focus on the manner in which exile acted on the structure of the family and the coherence of its genealogy.
Your contributions to this exhibition should address one or several of the questions below:
- How do we relate ourselves to a family history that we have inherited through family photographs and storytelling, but which we were for the most part unable to witness?
- How does family photography work to relate us to an unlived family history in the case of various generations of immigrant families having lived through multiple layers of geographic dislocation and relocation to another cultural space (particularly the situation of transatlantic movement from (Eastern) Europe to the United States, as problematized, for example, by Nancy K. Miller)?
- What role does ”genealogy” (usually read as ”blood ties” but also as ”resemblance”) play in the way we project ourselves visually and verbally?
- In what way does photography, especially family photography, enable a dialogue with the dead or absent (cf. Roland Barthes, Camera Lucida)?
- How do we negotiate the scarce narrative force of photography against the social imperative that we possess a coherent story about our past, our ancestors etc.?
- How do we reconcile the fact that the conventions of family photography predicate that the family is a coherent, happy unit, but sometimes family narratives contradict this narrative?
YOUR SUBMISSION should be sent no later than June 30, 2013 to email@example.com and it should consist of the following:
1. three scanned photographs from your own family album (please make sure you set your scanner to 600dpi, so we can be sure we can see them properly), as follows:
• one photograph of yourself
• (at least) one more of a family member who is absent or otherwise visually unavailable to yourself, but to whom you are connected through ”family resemblance”
• one of another family member or of a family member who is (also) absent or otherwise visually unavailable to yourself. (please see sample below)
2. A scanned HANDWRITTEN (but legible) NOTE in English (no more than 400 words) on how you relate yourself to the absent family member, and what role the other person in the line-up plays in this dialogue you are having with the absent person
The juxtaposition of the photographs and the text you are submitting should address the QUESTIONS WE ASK about memory, family history, and photography. In other words, we have to reject random juxtapositions of family photographs.
 This exhibition is organized by Dr. Dana Mihailescu, Dr. Roxana Oltean and Dr. Mihaela Precup as part of PN-II-RU-TE project no. 64 / 2011, Cross-Cultural Encounters in American Trauma Narratives: A Comparative Approach to Personal and Collective Memories
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