We are looking for scholars and artists in all disciplines who engage with themes of gender and mythology in their work.
Lady of Ten Thousand Lakes: Finding Wisdom in Places
Call for Papers
The Association for the Study of Women and Mythology Biennial Symposium
St. Paul, MN, April 20, 2013
Much of mythology is grounded in place. Suggested topics for this symposium might include, but are not limited to, the following:
How do and should the scholarship in Goddess Studies and Women's Mythology and Spirituality engage with the sense and reality of place? What women's myths are especially grounded in a place or places? What happens when such disciplines as Natural History, Ecology, and other sciences of place interact with Women and Mythology?
What does place mean methodologically? How does our scholarship change when place becomes an element or partner in our research? How does this intersect with Embodied Research or Embodied Methodologies? What are the criteria for solid scholarship using these new models?
Do issues of place add an activist quality to our scholarship? Does activism have a place in scholarship? What does it mean to find wisdom in places?
Proposals for papers, panels, and workshops addressing these topics will be given preference, but other subjects will be considered. Papers should be 20 minutes; panels with up to four papers on a related topic may be proposed together. Workshop proposals should be organized to provide audience interaction and must clearly address the theme. (Workshops are limited to 90 minutes.)
Presenters from all disciplines are welcome, as well as creative artists and practitioners who engage mythic themes in a scholarly manner in their work. Presenters must become members of ASWM prior to conference.
Send 250-word abstract (for panels, 200 word abstract plus up to 150 words per paper) to firstname.lastname@example.org by February 2, 2013. Include bio of up to 70 words for each presenter, as well as contact information including surface address and email. See www.womenandmyth.org.
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