This panel seeks papers about film adaptations of medieval and Renaissance English drama, both in English-speaking countries and around the world. Papers might compare different adaptations of the same play, discuss problems associated with the notion of fidelity to text or of relocating a play in a different historical or cultural milieu, or consider the effectiveness for use in scholarly work or in the classroom. We seek investigation of continuities across disciplines: medieval/Renaissance, cinema studies/literature. What is at stake in these adaptations? What do these directors, writers, performers, and audiences bring to the table? This panel should appeal to those interested in film and literary adaptation, world cinema and transnational influences, issues of cultural hegemony and exchange, and Shakespeare on film. Abstracts (250 words) should be emailed in MS format to firstname.lastname@example.org email@example.com by Sept. 30.
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