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IAWIS/AIERTI AT THE COLLEGE ART ASSOCIATION, NEW YORK, 2013
*Call for Papers: From the Wall, to the Press, to the Streets*
College Art Association 101st Annual Conference
New York, 13-16 February 2013
Session convenors: Eve Kalyva (e.m.kalyva@gmail.com) and
Ignaz Cassar (ignazcassar@yahoo.co.uk)
The divide between art and language has historically functioned as a
metaphor of the division between high and low culture. Many artistic
practices have challenged this binary, where the concept of gallery
enclosure can be understood as a literal and figurative qualifier of art: a
space that is distinct from, yet exists within, the wider social sphere.
Especially in twentieth and twenty-first century art, the use of language
has facilitated a material and discursive transgression beyond the
traditional art-object and its institutional isolation. Works that combine
image and text have appeared on gallery walls, the popular press, and other
public sites such as billboards and pavements. Such activities widen the
engagement with art and open new channels of communication and
participation. They also challenge, and often alter, the traditional
hierarchies that underline the artworld, from the production of art to its
display and consumption.
Acknowledging the manifold social practices of contemporary art, as well as
the diversity of scholarship that IAWIS-AIERTI embraces, this session
wishes to address the presence of image and text in the public sphere from
both a historical and critical perspective. In what ways can the use of
language in art practices transform the domain of the artworld? How have
art institutions shifted their policies in response to such practices? With
this session, we also hope to consider the sociality of art, as this
becomes evident by artistic practices that transgress the gallery enclosure
of art.
We invite papers that discuss the social interaction and contact with works
that manipulate the visual and the textual beyond the traditional frame of
art – a frame that can be understood in material, institutional, and
theoretical terms. Suggested topics include, but are not limited to:
• Subversive displays of word and image: public readings and private gaze
• The rhetoric of public art: using language to challenge the divides of
private/public, elitist/communal
• Working around the frame: spatial transgression as institutional critique
• Open-access art in new sites: from art magazines and postcards to
billboards, the internet, and social networking sites
• Institutional responses and marketing: copyright laws and ethical
restrictions
Please send your paper proposals of maximum 250 words (for a conference
paper of 20 minutes) to the session convenors Eve Kalyva (
e.m.kalyva@gmail.com) and Ignaz Cassar (ignazcassar@yahoo.co.uk) by the
deadline *1 June 2012*.
Membership of IAWIS-AIERTI is not required. In accordance with CAA
guidelines, please include a current CV, institution (if any), home or
office postal address, email address, and telephone number. Final abstracts
for selected papers will be due September 2012, and paper drafts by
December 2012. Further information and conference particulars, including
submission guidelines, can be found at http://www.collegeart.org and
http://www.iawis.org/home.php.
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