We invite proposals for papers, presentations, or performances of 30 minutes exploring the desire and attempt to materialise what is absent via the medium of haunted landscapes or through the manifestation of a ghost. We would like to hear from researchers within the fields of anthropology, art history, cultural studies, film studies, history, law, literary studies, parapsychology, psychology, philosophy etc. as well as practising artists.
The Hostings will take place in the Court Room, University of London, Senate House between 6.30 – 9.00pm on the 29th February and 14th March.
Please send a (working) title and an abstract of approximately 300 words. lnclude which Hosting you are submitting to and, if applicable, one or two pictures.
Send these to Sarah Sparkes at: firstname.lastname@example.org
more information www.host-a-ghost.blogspot.com
Deadline for submissions of proposals: 13th January 2012
Hostings 6: Absence – Haunted Landscapes
The Key Of Solomon, a medieval grimoire instructs magicians to seek out “places that lie concealed, distant and removed from the haunts of men. Wherefore desolate and uninhabited regions are most appropriate, such as the borders of lakes, forests, dark and obscure places, old and deserted houses, whither rarely and scarce ever men do come, mountains, caves, caverns, grottos, gardens, orchards...”
Could it be that this instruction suggests a common topography of the haunted landscape that such venues operate as amplifiers for achieving rapport with the dead? Perhaps it is the absence of life and the nature of our own loneliness that in fact haunts the landscape? Are places of tragedy imbued with spirits of their victims or is this just a romantic engagement, an imaginative association with a past event? Is it possible to use a particular landscapes to facilitate the experience of paranormal phenomena – in this respect can landscape serve like the séance room for the natural channelling of the spirit of place, or the dead souls of its past? Moreover, have artists and writers intuitively apprehended these landscapes to manifest a haunted aesthetic?
GHost invites submissions exploring these or other ideas associated with the Haunted Landscape.
Hostings 7: Presence – Manifesting Ghosts
“Ghost Seance has the potential to summon spirits at any given location and time although 3:00 a.m. usually produces the best results.” (Taken from a website advertising a séance app. for smart phones)
Writers, psychical investigators, mediums, parapsychologists, illusionists, artists all have manifested ghosts in their own way. The writers mind conjures up ghostly apparitions, pinning down their fleeting forms with words. In the darkened séance room both psychical investigator and audience witness phenomena produced by the medium. Whether witnessed by believer or sceptic, the spirit announces itself, with a common ghostly language: wraps, moving furniture, unexplained scents, temperature changes, phosphorescent lights etc. In more recent times visual and auditory ephemera has been described and captured by paranormal investigators, with the help of technological devices. This new language of the ghostly reappears in the haunted aesthetics of films such as Nigel Kneale’s The Stone Tape and in the work of contemporary artists such as Susan Hiller. When attempting to document ghosts, is it us or the ghosts who are controlling the means by which we describe and measure their presence?
GHost invites submissions exploring ghost-makers: their means , methods and their reasons for manifesting ghosts.
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