Transcultural Visuality: Photography in East-Asia
A session on CAA 99th Conference, New York, NY Feb. 9-12, 2011
Ayelet Zohar, Stanford University firstname.lastname@example.org
The session will focus on photography, as an image making procedure, which reached East-Asia close to the time of the first experimentations and its commencement in Europe, mid 19th c.. This was a unique opportunity to take part in the shaping of the field by artists across East-Asia who took interest in the newly introduced medium. In doing so, many of these practitioners added to the developing language of photography, contributing from their respective aesthetic vocabulary, drawing from particular visual cultures, adding to technical and conceptual developments of the field. Photography, therefore, developed as a truly transcultural medium, with contributions from different cultures that conglomerated and shaped the field.
Papers may explore any issues regarding photography as a transcultural medium, created between East-Asia and the West, from its early days to the present; discussions of innovative projects in Japan, Korea and China referring to hybrid traditions of representation, narratives, localities, formats, monochrome/ colour aesthetics or compositional strategies, are of great interest.
Please send abstracts of no more than 250 words to:
Send comments and questions to H-Net
Webstaff. H-Net reproduces announcements that have been submitted to us as a
free service to the academic community. If you are interested in an announcement
listed here, please contact the organizers or patrons directly. Though we strive
to provide accurate information, H-Net cannot accept responsibility for the text of
announcements appearing in this service. (Administration)