Dramatic expression and self-conscious performances marked almost every aspect of nineteenth century life and artistic culture, as theatrical turns and performative mindsets introduced in the 17th-18th centuries expanded in the 1780s through the beginning of World War One. We invite paper and panel proposals that explore these themes and subjects in the long Nineteenth Century (1780-1914). Papers might address the theatrical shows—whether serious drama, circus displays, vaudeville, operas, or Shakespearean revivals—that appeared in cities and towns on both sides of the Atlantic (as well as in more distant lands). Or they might investigate how politics, social events, military engagements, domestic affairs, public trials, crime reports, religious rituals, architectural spaces, sculptural moments, exhibition halls, artistic and musical compositions, and the early moving pictures of the cinema, assumed a theatrical sensibility. Welcome also are proposals for papers and panels that bring scholarly and theoretical interests in performativity to bear on concepts of identity, individuality, and audience in the given era.
Please submit abstracts of approximately 500 words along with a brief (one page) c.v. to the Program Co-Chairs, Janice Simon (U of Georgia) and Regina Hewitt (U of South Florida) at the conference address firstname.lastname@example.org by Sept. 15, 2009. Speakers will be notified by or before Dec. 15.
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