The theatrical performance is at once the most "real" of the arts and the most radically deceptive - qualities that have made it a uniquely suited medium for exploring the subject of money, itself a locus of anxieties concerning "hard" and "soft" value, presence and absence, the real and the symbolic. The proposed panel welcomes papers that explore the subjects of money and economic exchange in American theatre. Please send 250-500-word abstract (in body of e-mail) to Jon Dietrick of Babson College at email@example.com by 9/15/08. NEMLA conference Boston 2/26-3/1.
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