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A series of lectures and discussions on that most wondrous union of performance and painting! An entirely new programme by the best company of the season! For two days only!
Merle van Tilburg Time, Theatre and Painting c.1900
Melanie Enderle Dual Performances: The Spectator and Performer in Walter Sickert’s Images of London Music Halls
Lucienne Dorrance Denner Emil Nolde’s Dancing Figures: Symbols of Freedom in a Bourgeois Society
Ilia Lakidou Painters as designers on the Greek stage from the inter-war era to the 1950s: a quest for modernization or nationalization of the local theatre aesthetic?
Katie L. Steiner The Structure of Shakespearian Revolutions: Witness a Paradigm Shift in Pre-Raphaelite and Theatrical Portrayals of ‘Hamlet’s’ Ophelia
Esther S. Bell Charles-Antoine Coypel: Painting and Performance in Eighteenth-Century France
Rosella Simonari Looking and Being Looked at: Alberto Spadolini as Painter and Dancer
Pavel Klein The Art Nouveau in Move: Scenic Designers in the search of Les Ballets Russes
Annabel Rutherford Frames within Frames: From the Easel of Augustus Leopold Egg's Untitled Triptych to the Proscenium at the Haymarket
Julianna M. Bark The Spectacular Self: Jean-Etienne Liotard’s “Self-Portrait Laughing”
Nikki Frater ‘Ephemeral yet Enduring’: The Theatre Designs of Rex Whistler
Steve Pantazis Jannis Kounellis: Theatricality and Theatre
Anne Leonard Staging the artist’s fantasy: Claude Hoin & Mme Dugazon
Christian Sauer Paranoia visits the ballet: Salvador Dali’s surrealist interpretation of Wagner’s ‘Bacchanal’
William Rough Restaging Camden Town: Walter Sickert & the Theatre c.1905-c.1915
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