The editors of Enculturation seek papers for a special issue on "rhetoric and composition." The turn toward rhetoric has been credited with the creation of composition studies as a discipline. Indeed, those on the rhetoric side of the rhet/comp slash might argue that without rhetoric, most of the gains composition has made in the past 20 years would have been impossible. The editors of this special issue are interested in articles that explore the nature of this relationship represented by the slash. While in the 80s our journals and conferences discussed rhetorical issues and their function as composition's disciplinary basis, our focus has shifted, most often in the direction of cultural studies. What is at stake in this shift?
Papers may address but are not limited to the topics and questions below:
History of the relationship between rhetoric and composition. What have been the points of contact and conflict between rhetoric and composition studies? Between rhetoricians and compositionists? How are these points of contact and conflict situated vis-a-vis modernist and postmodernist rhetorics? What role have institutional and departmental missions played in creating these points of contact and conflict? How has the slash between rhet/comp come to be and to mean?
Composition studies as a rhetorical activity. How does this practice of composition invite power/politics, gender issues, psychoanalytics, subject formation, economics, religious teachings, and educational paradigms (and the theories and ideologies that inform them) into the writing classroom? How do resulting discussions and the papers they elicit change the purpose and goals of the writing classroom? How might different pedagogies--ranging from service learning to teaching for social change--affect the conceptualization and practice of composition as rhetorical activity?
The future relationship between rhetoric and composition studies. How will the shift to visual rhetorics and electronic technologies affect this relationship? What role will further (continued? additional?) linking across disciplinary boundaries and border crossings play in terms of composition as a discipline (as distinct from or allied with cultural studies, media studies, etc)? Will the slash between rhet/comp persist? Will one member of the pair disappear? How and why? In what ways might composition re-connect with rhetoric? What might the possible outcomes be?
In addition to academic projects/papers, we are interested in reviews of original web-sites/projects, recently published books, print or e-journals, and especially hypertext/web-ready submissions that use hypertext for rhetorical ends.
Text-based submissions should be no longer than 5000 words. Reviews 1500-2500.
Submissions will be due by February 1, 2003. Please send submissions to:
Lisa Coleman -- email@example.com
Lorien Goodman -- below
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