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All aspects (and various manifestations) of A Clockwork
Orange will be examined, including the notebooks (held at
the ABC) and working manuscripts, the two versions of the
published novel, its translations, Kubrick's film, the
reception of the book and/or the film, Burgess's theatrical
adaptation (with music), and the post-Clockwork resonances and reflections in such Burgess works as A Clockwork Testament and the two volumes of autobiography. Proposals discussing auto-fiction, or focusing on psychoanalytical approaches to the space, characters, language and aesthetics of the book will be particularly welcome.
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